Lincoln in the Bardo
February 1862. The Civil War is less than one year old. The fighting has begun in earnest, and the nation has begun to realize it is in for a long, bloody struggle. Meanwhile, President Lincoln’s beloved eleven-year-old son, Willie, lies upstairs in the White House, gravely ill. In a matter of days, despite predictions of a recovery, Willie dies and is laid to rest in a Georgetown cemetery. “My poor boy, he was too good for this earth,” the president says at the time. “God has called him home.” Newspapers report that a grief-stricken Lincoln returned to the crypt several times alone to hold his boy’s body.
From that seed of historical truth, George Saunders spins an unforgettable story of familial love and loss that breaks free of its realistic, historical framework into a thrilling, supernatural realm both hilarious and terrifying. Willie Lincoln finds himself in a strange purgatory, where ghosts mingle, gripe, commiserate, quarrel, and enact bizarre acts of penance. Within this transitional state—called, in the Tibetan tradition, the bardo—a monumental struggle erupts over young Willie’s soul.
Lincoln in the Bardo is an astonishing feat of imagination and a bold step forward from one of the most important and influential writers of his generation. Formally daring, generous in spirit, deeply concerned with matters of the heart, it is a testament to fiction’s ability to speak honestly and powerfully to the things that really matter to us. Saunders has invented a thrilling new form that deploys a kaleidoscopic, theatrical panorama of voices—living and dead, historical and invented—to ask a timeless, profound question: How do we live and love when we know that everything we love must end?
Wow, this wasn't just reading a novel it was a true reading experience. Wholly inventive, imaginative, the amount of research staggering, something totally new and different. Will admit having some trouble in the beginning, couldn't see where the author was going with this, wondering if it was gong to progress, it did in a very interesting way. Not going to rehash the plot, the description only loosely defines this. The book is helped along by some very unusual narrators, Vollmam and Bevins,
Great comments on originality vs quality. Give me Donna a Tartt any day.
I avoid the G word. Thats a determination I like to put off until rereading. But this novels certainly masterful. I have read nothing so near perfect in some years. The narrative rides a kind of knife edge, between unbearable sorrow one moment and comic relief the next. Almost unbearably moving was what Anthony Burgess used to say about some of the better books he reviewed. I must say the same with regard to Lincoln in the Bardo. Its about unendurable personal loss and grief suffered by
Yes, I know I stand alone in my dislike for this book. EVERYONE loves it. Nope, not me. I actually hated it. I've heard people say they wanted to throw a book across a room and I never understood that desire to harm a book, but for me, this is one to throw. I should know better than to read a book in which the review says something like "an alternative writing" "a different way of telling a story". That just means it's weird, no plot, no character development, an author trying something new that
You know those half-awake, half-asleep dreams where youre working through your problems of the day? The first wakeful moments in the shower usually let you know that any solutions you thought might apply were pure nonsense. Even more often you realize the things you were thinking about werent really problems anyway it was all just anxiety for the hell of it. Anyway, last night I went to bed thinking about what I might say about this celebrated new Saunders book I just read. Even as I was
Lincoln in the Bardo is such a beautifully crystallized portrait of life, death, grief, and getting on, and really emphasizes our shared humanity in its unusual storytelling. I started and stopped in fits, but one massive read in a single sitting was the way for me to go on this, allowing it to crash and wash over me completely, and get acquainted with the style and be fully receptive to the ideas expressed here. Once submerged in the unique format, I was incredibly moved by the way Saunders is
George Saunders
Hardcover | Pages: 343 pages Rating: 3.76 | 113178 Users | 18770 Reviews
Particularize Books Supposing Lincoln in the Bardo
Original Title: | Lincoln in the Bardo |
ISBN: | 0812995341 (ISBN13: 9780812995343) |
Edition Language: | English |
Characters: | Abraham Lincoln |
Setting: | Washington, D.C.,1862(United States) |
Literary Awards: | Booker Prize (2017), Australian Book Industry Award (ABIA) Nominee for International Book (2018), Andrew Carnegie Medal Nominee for Fiction (2018), Goodreads Choice Award Nominee for Historical Fiction (2017), Waterstones Book of the Year Nominee (2017) Gordon Burn Prize Nominee for Longlist (2017), Golden Man Booker Prize Nominee (2018), International Dublin Literary Award Nominee for Shortlist (2019) |
Commentary To Books Lincoln in the Bardo
In his long-awaited first novel, American master George Saunders delivers his most original, transcendent, and moving work yet. Unfolding in a graveyard over the course of a single night, narrated by a dazzling chorus of voices, Lincoln in the Bardo is a literary experience unlike any other—for no one but Saunders could conceive it.February 1862. The Civil War is less than one year old. The fighting has begun in earnest, and the nation has begun to realize it is in for a long, bloody struggle. Meanwhile, President Lincoln’s beloved eleven-year-old son, Willie, lies upstairs in the White House, gravely ill. In a matter of days, despite predictions of a recovery, Willie dies and is laid to rest in a Georgetown cemetery. “My poor boy, he was too good for this earth,” the president says at the time. “God has called him home.” Newspapers report that a grief-stricken Lincoln returned to the crypt several times alone to hold his boy’s body.
From that seed of historical truth, George Saunders spins an unforgettable story of familial love and loss that breaks free of its realistic, historical framework into a thrilling, supernatural realm both hilarious and terrifying. Willie Lincoln finds himself in a strange purgatory, where ghosts mingle, gripe, commiserate, quarrel, and enact bizarre acts of penance. Within this transitional state—called, in the Tibetan tradition, the bardo—a monumental struggle erupts over young Willie’s soul.
Lincoln in the Bardo is an astonishing feat of imagination and a bold step forward from one of the most important and influential writers of his generation. Formally daring, generous in spirit, deeply concerned with matters of the heart, it is a testament to fiction’s ability to speak honestly and powerfully to the things that really matter to us. Saunders has invented a thrilling new form that deploys a kaleidoscopic, theatrical panorama of voices—living and dead, historical and invented—to ask a timeless, profound question: How do we live and love when we know that everything we love must end?
Present Epithetical Books Lincoln in the Bardo
Title | : | Lincoln in the Bardo |
Author | : | George Saunders |
Book Format | : | Hardcover |
Book Edition | : | First Edition |
Pages | : | Pages: 343 pages |
Published | : | February 14th 2017 by Random House |
Categories | : | Fiction. Historical. Historical Fiction. Audiobook. Fantasy |
Rating Epithetical Books Lincoln in the Bardo
Ratings: 3.76 From 113178 Users | 18770 ReviewsCrit Epithetical Books Lincoln in the Bardo
This is an intriguing book; one that is very inventive and yet its basic premise is based on strong possibilities, if not probabilities. There are brief historical excerpts throughout from various sources that are amazing in that they outline stronger than ever that eye witness testimony is pretty much wasted without a camera to back it up. For example, on a historically memorable night 5 or 10 people can look at the same night sky and see no moon at all, or a moon but in about 5 or 6 differentWow, this wasn't just reading a novel it was a true reading experience. Wholly inventive, imaginative, the amount of research staggering, something totally new and different. Will admit having some trouble in the beginning, couldn't see where the author was going with this, wondering if it was gong to progress, it did in a very interesting way. Not going to rehash the plot, the description only loosely defines this. The book is helped along by some very unusual narrators, Vollmam and Bevins,
Great comments on originality vs quality. Give me Donna a Tartt any day.
I avoid the G word. Thats a determination I like to put off until rereading. But this novels certainly masterful. I have read nothing so near perfect in some years. The narrative rides a kind of knife edge, between unbearable sorrow one moment and comic relief the next. Almost unbearably moving was what Anthony Burgess used to say about some of the better books he reviewed. I must say the same with regard to Lincoln in the Bardo. Its about unendurable personal loss and grief suffered by
Yes, I know I stand alone in my dislike for this book. EVERYONE loves it. Nope, not me. I actually hated it. I've heard people say they wanted to throw a book across a room and I never understood that desire to harm a book, but for me, this is one to throw. I should know better than to read a book in which the review says something like "an alternative writing" "a different way of telling a story". That just means it's weird, no plot, no character development, an author trying something new that
You know those half-awake, half-asleep dreams where youre working through your problems of the day? The first wakeful moments in the shower usually let you know that any solutions you thought might apply were pure nonsense. Even more often you realize the things you were thinking about werent really problems anyway it was all just anxiety for the hell of it. Anyway, last night I went to bed thinking about what I might say about this celebrated new Saunders book I just read. Even as I was
Lincoln in the Bardo is such a beautifully crystallized portrait of life, death, grief, and getting on, and really emphasizes our shared humanity in its unusual storytelling. I started and stopped in fits, but one massive read in a single sitting was the way for me to go on this, allowing it to crash and wash over me completely, and get acquainted with the style and be fully receptive to the ideas expressed here. Once submerged in the unique format, I was incredibly moved by the way Saunders is
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