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Original Title: Der Tod in Venedig / Mario und der Zauberer
ISBN: 0141181737 (ISBN13: 9780141181738)
Edition Language: English
Characters: Gustave von Aschenbach
Setting: Venice(Italy) Munich (MĂ¼nchen)(Germany)
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Death in Venice and Other Tales Paperback | Pages: 384 pages
Rating: 3.9 | 19506 Users | 687 Reviews

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Featuring his world-famous masterpiece, "Death in Venice," this new collection of Nobel laureate Thomas Mann's stories and novellas reveals his artistic evolution. In this new, widely acclaimed translation that restores the controversial passages that were cut out of the original English version, "Death in Venice" tells about a ruinous quest for love and beauty amid degenerating splendor. Gustav von Aschenbach, a successful but lonely author, travels to the Queen of the Adriatic in search of an elusive spiritual fulfillment that turns into his erotic doom. Spellbound by a beautiful Polish boy, he finds himself fettered to this hypnotic city of sun-drenched sensuality and eerie physical decay. Also included in this volume are eleven other stories by Mann: "Tonio Kroger," "Gladius Dei," "The Blood of the Walsungs," "The Will for Happiness," "Little Herr Friedmann," "Tobias Mindernickel," "Little Lizzy," "Tristan," "The Starvelings," "The Wunderkind," and "Harsh Hour." All of the stories collected here display Mann's inimitable use of irony, his subtle characterizations, and superb, complex plots.

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Title:Death in Venice and Other Tales
Author:Thomas Mann
Book Format:Paperback
Book Edition:Special Edition
Pages:Pages: 384 pages
Published:May 1st 1999 by Penguin Classics (first published 1911)
Categories:Fiction. Classics. Short Stories. European Literature. German Literature. Literature

Rating Appertaining To Books Death in Venice and Other Tales
Ratings: 3.9 From 19506 Users | 687 Reviews

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There are some wonderful short stories in this collection, but the real meat of the book is, of course, the title novella, Death in Venice. I'm in no way diminishing the other stories and highly recommend them but still, moving right along...Gustav von Aschenbach is a middle-aged writer who decides he needs to do a little traveling to find self-fulfillment and chooses Venice as his destination. While there he falls in love with (or obsessed with, it's all a very thin line) a young Polish boy,

When I was in college, I read Death in Venice for the first time. I can't imagine what I made of it then. Of course, the story of an older man drawn to a beautiful young boy is compelling, but the sense of time running out can't have meant much to me at that point in my life. I read the novella again recently and was struck by its power. Mann captures so effectively the emptiness of Von Aschenbach's life. Though the story is full of people, he is apart, alone, a writer, a recorder of life, not a

I just finished reading this marvelous book of short stories. My favorite among them was "Little Herr Freidman", a sad tale of a mans peace of mind turned on its head by desire.

I'm ambivalent about this one. Perhaps it was the translation I was reading (I think I have the actual Der Tod in Venedig in the house somewhere, but frankly I couldn't face literary German at the moment), but I never really felt at ease when reading this. Not because of any of the themes that Mann tackled, or because of the denseness of the work; they were challenging and thought-provoking aspects, of course, but I found myself able to grapple with them.What unnerved me was the way in which all

TristanRichard Wagner saw the premier of his revolutionary opera Tristan und Isolde at the Königliches Hof- und Nationaltheater in Munich on 10 June 1865 with Hans von BĂ¼low conducting. It was revolutionary for the music was unlike any the audience had heard before; specifically the "Tristan chord" with which the opera begins and which remains unresolved until the final moments of the opera, and marked the beginning of a new age of music that would see the rise of composers from Mahler to

Mann's Death In Venice And MoreThomas Mann's masterful short novel "Death in Venice" (1912) tells the story of a distinguished German writer, Gustav Aschenbach, who, at the age of 53 while on holiday in Venice, develops a passion for a 14-year old boy named Tadzio. Mann's story sets the demands and powers of eros, human sexuality, in the form of Aschenbach's feelings for Tadzio, against the life, of intellect, discipline, artistic creation, and order which Aschenbach had, before his fateful

Thomas Mann is rightly one of those figures who still looms large over literature. 'Death in Venice' is regarded as one of his best works, forming an appropriate ending to this collection, but many of the other stories in this volume are also excellent, and if anything, even match the qualities of Venice. Almost everything included here is worthy of any thoughtful reader's mind. Many of the stories in this collection form variations on a similar theme: that of young men who waste away their
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