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Title:Stranger in a Strange Land
Author:Robert A. Heinlein
Book Format:Paperback
Book Edition:Anniversary Edition
Pages:Pages: 528 pages
Published:October 1st 1991 by Ace (first published July 1961)
Categories:Horror. Thriller. Mystery. Fiction. Science Fiction. Mystery Thriller. Suspense
Books Download Online Stranger in a Strange Land  Free
Stranger in a Strange Land Paperback | Pages: 528 pages
Rating: 3.92 | 265789 Users | 7689 Reviews

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Apparently a classic of the sci-fi cannon, I'd never heard of this book until it came up on a book club here. It took me a long time to read only because of lack of time, and a rather annoying trait the author has that I'll go into later.

This is one of those books that tells us more about the period it was written in than anything else, so it's important to note that it was first published in 1961 and later again in 1968 - when moon fever was running high and people seemed to have high expectations for human achievement.

Events are set in an undisclosed future but the older characters seem to remember the first moon landing, so I wouldn't be surprised if Heinlein was thinking of it being set around about now. With a mix of very daggy technology like "stereo tanks" (TVs) and large, clumsy listening devices, alongside hover crafts and spaceships to Mars, the scope of the setting is hampered by a 50s' imagination.

Stranger in a Strange Land is about Michael "Mike" Smith, the "Man from Mars", offspring of two of scientists on board the original mission to Mars, who was raised by Martians. He is more Martian than human, especially in his thinking and outlook and philosophy, when he is brought back to Earth. Heir to a shitload of money care of his parents' heritage, it's unsurprising that the bigshots on Earth are wanting to keep him locked up tight. A nurse at the hospital where he is first kept, Jill, offers him a glass of water and in that one action becomes a "water brother" - the highest accolade for Mike. She rescues him from the politicians with the help of her journalist friend Ben and takes him to the home of a grumpy, reclusive man, Dr Jubal Harshaw, who lives with three young women who serve as secretaries - Anne, Miriam and Dorcas - and two men who take care of the property - Duke and Larry.

Mike's particular talents slowly reveal: he can vanish things, including people, if he recognises there is a "wrongness" in them; he can withdraw from his own body and shut down his body so there is no heartbeat; he can teleport and think telepathically; he can absorb books in minutes and regulate his own body, making it muscular and mature at will; and so on. All of this can be done with understanding of the Martian language, which Jill starts to learn.

He's completely ignorant of human ways, of human concepts - things like jealousy, possessiveness etc. are all alien to him. He doesn't understand religions and he has never laughed.

After months on the road with just Jill, learning and "grokking", he finally knows why humans laugh and how to do it himself, and gets the human condition. It leads him to start his own "church", though it's more of a way of life open to people of all religious denominations, with free love and open mindedness, and abilities gained through mastery of the Martian language. With Mike set up as a new Messiah, a prophet, there's only one logical conclusion for this story.

As a story, Stranger in a Strange Land is enjoyable and original. Yet, as a story, it's also bogged down with sermons, with Heinlein's opinions, and a very out-of-date mentality. It reads very 60s and 70s, though it was written before then. Not as far-sighted as it would like to be! It's especially noticeable in the relations between men and women, which have that faintly liberated tinge that's all really lip service, and a great deal of sexist language. Which is ironic, really, considering Mike's free love cult. There's also an affectionate insult for a Muslim character who's nicknamed "Stinky" that I couldn't help but be offended by.

It does make it hard to read, though, when you come across lines like this, as spoken by Jill very matter-of-factly: "Nine times out of ten, if a girl gets raped, it's partly her fault." (p304) While today the statistics are more like "nine of ten times, a woman's rapist is someone she knows", the idea that it's "partly her fault" is still considered true by way too many people. To hear this come out of Jill's mouth makes it especially awful.

Another example is Jubal saying: "Pipe down, Anne. Close your mouth, Dorcas. This is not a time when women have the vote." (p382) Granted, they ignored him and did what they wanted anyway, but there're a lot of these flippant, dismissive remarks all through the book. Product of its times, sure: just not at all futuristic.

Then we come to the proselytizing, which the book is rife with. Today, reading this book, the opinions shared are very "yes, so?" - old hat, in other words. Though it is fun to read the rants, the set-up is cringe-worthy. Jubal is the main lecturer, and the characters around him serve as props. There are a great many "Huh?"s from educated and knowledgeable people so that Jubal can share his abundant wisdom. One "huh?" is okay, but when each long paragraph of Jubal is responded to with a "huh?" it gets a bit silly. Frankly, it's bad writing. It reminded me somewhat of The Da Vinci Code, which also uses characters to expound the author's theories on religion etc. at great length.

While these things did at times make it harder to read the book, essentially the book is easy to read and often quite fun too. Jubal's sermons (and when Jubal isn't around, other characters fill the role, like Ben and Sam) can be a bit heavy-handed and obvious but a lot of it I agree with, so it wasn't rubbing me up the wrong way. Mike is a challenging character to write, because in order to write a naive, ignorant character to this extent, you need to be incredibly self-aware. Heinlein has fairly good success here, and Mike's growth, maturation, development and resolutions fit the character and work. He has charisma and is definitely intriguing; yet because he lacks the human flaws, he's also somewhat unapproachable and alien: a good balance to achieve.

Particularize Books Concering Stranger in a Strange Land

Original Title: Stranger in a Strange Land
ISBN: 0441788386 (ISBN13: 9780441788385)
Edition Language: English
Characters: Valentine Michael Smith, Jubal Harshaw, Gillian Boardman, Ben Caxton
Literary Awards: Hugo Award for Best Novel (1962), Prometheus Hall of Fame Award (1987)


Rating About Books Stranger in a Strange Land
Ratings: 3.92 From 265789 Users | 7689 Reviews

Weigh Up About Books Stranger in a Strange Land
Apparently a classic of the sci-fi cannon, I'd never heard of this book until it came up on a book club here. It took me a long time to read only because of lack of time, and a rather annoying trait the author has that I'll go into later.This is one of those books that tells us more about the period it was written in than anything else, so it's important to note that it was first published in 1961 and later again in 1968 - when moon fever was running high and people seemed to have high

seminal.also: legit-legit crazy.but important on too many levels to ignore.it was the right book at the right timefifty years ago.it shaped my earliest musings on the nature of sexuality and the path towards a future that didn't compel me to get my dick sucked in random alleyways and decrepit porn theaters after schoolwhile still making it back home in time for family ties; never mind the pointed exclusion of homosexuality from heinlein's philosophical flatulence.appallingly dated ideas about

Democracys worst fault is that its leaders are likely to reflect the faults and virtues of their constituentsa depressingly low level.Now, why does that resonate so hard? Great line even though it is not representative of Stranger in a Strange Lands major theme.Stranger in a Strange Land is Heinleins best known and most popular book. It is not his most controversial novel but seems that way because it is the most widely read one. His later books Friday and I Will Fear No Evil are, to my mind,

I will state, without apology, that I have enjoyed every Robert Heinlein book I have ever read.Do I always agree with his philosophy or his observations on life. No.But he tells me a story, and while he is telling it, I don't put that book down.I don't read books to find authors who agree with me or match some political template.I read books for stories. And diversity in story tellers is good.

I'd heard about this Science Fiction classic for years before I finally decided to give it a whirl. For some reason I had always put off reading it... and to be totally honest I should have listened to what my gut was telling me. Now, I'm well aware of the fact that Stranger in a Strange Land came out in 1961, a period in time when values and mores were different, but the level of sexism and homophobia in this book is simply too much for me to bear.Just read the following passage: "Jill had

Stranger in a Strange Land thinks more than it moves. There's tons of dialogue on philosophical topics only rarely broken up by the occasional plot-pusher. It often reminded me more of Plato's Symposium rather than the sci-fi novel I expected. I'm not saying that's bad, but sometimes when you're hit with the unexpected it throws you off and lowers the enjoyment level of the whole thing slightly. About halfway through I realized what was happening, readjusted my expectations and enjoyed the book

Very 1960s counterculture (grok, seriously?). Very weird. Heinlein was kind of gross in his old age.
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