Itemize Containing Books The Last World
Title | : | The Last World |
Author | : | Christoph Ransmayr |
Book Format | : | Paperback |
Book Edition | : | Anniversary Edition |
Pages | : | Pages: 246 pages |
Published | : | May 3rd 1996 by Grove Press (first published 1988) |
Categories | : | Fiction. European Literature. German Literature |
Christoph Ransmayr
Paperback | Pages: 246 pages Rating: 3.83 | 813 Users | 68 Reviews
Narration Concering Books The Last World
Acclaimed as a modern masterpiece and as one of the most important novels of our time. The Last World is the story of a young man's quest for the exiled poet Ovid and the masterwork he has consigned to the flames. Ransmayr has created a visionary landscape, a transformed place where the ancient world meets the twentieth century. A metaphysical thriller both compelling and profound. The Last World draws the reader into a universe governed by the power of mythology, a world of decay on the brink of apocalypse. A novel about exile, censorship, and the destruction of the planet, this is a cultural and political fable that is blazingly topical, yet timeless.Be Specific About Books During The Last World
Original Title: | Die letzte Welt |
ISBN: | 0802134580 (ISBN13: 9780802134585) |
Edition Language: | English |
Setting: | Constanta(Romania) Rome(Italy) |
Literary Awards: | Ars Translationis (1992), Schlegel-Tieck Prize for John E. Woods (1991) |
Rating Containing Books The Last World
Ratings: 3.83 From 813 Users | 68 ReviewsNotice Containing Books The Last World
I took my time with this. Written in '88 about a "fugitive of the state" wanderer named Cotta who is after "Naso".At the end of the book I'm left wondering if Naso and Cotta are the same person in a novel populated with characters from classic Greek/Roman mythologies.The search that Cotta is plagued with seems to be not so much a search for the poet so much as a search for himself. Amongst all the associative and dissociative metaphor that exists inside Cotta's stay in the underpopulated torporAmazing literary work! Two things really stood out. First, the timelessness of the setting--past, present, and future all in one--the first chapter is a good example of this. Second, stories within stories within stories--Echo's retelling of Ovid's stories to the narrator--"the book of stones"--was a very beautiful passage. I could not put this book down and read it through the night!
This is one of the greatest contemporary novels I've read. Ransmayr creates a timeless world that is at once Ovid's ancient, elemental world and our own world, with its steam tankers and movie projectors. He creates a haunting atmosphere with prose that is gorgeous and poetic, but which doesn't sacrifice the narrative thrust either. Lovely. I highly recommend this book.
This book took me three tries. But this time I went the whole way with it. It starts out confusing, yields into chaos, and ends with one point; We are all up against a wall, and that wall is us, all the us inside one Me, and You. One thing drew Cotta into the mountains-the only inscription he had not yet discovered. He would find it on a banner buried in the silvery luster of Trachila or on the boulder-strewn flanks of the new mountain. He was sure it would be a small banner-after all, it
I picked this book out to read because it says on the front cover that it is "The most extraordinary novel since The Name of the Rose'. Well, I'm sorry, but this doesn't fulfil this promise at all! It was intriguing, but I am rather puzzled why there is any mention of modern life at all, as to all intents and purposes it is a reworking of ancient Greek legends, which could just have easily been set in ancient times. The only modern things mentioned are the cinema projectionist and a bus, and
Not my cup of tea. After 20 pages I knew: this book has the same effect on me as Death of Vergil by Marc Broch, or the Wedding of Cadmos and Harmonia by Roberto Calasso; too effusive, too elaborate, and unreally strange. It's not only the exotic mythology (after all it's about Ovid and his book about transformations), but more the consciously anachronistic method of writing (films are projected in ancient Greek cities; microphones are used in gladiator-arenas; Germans are stranded in some far
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